The mighty Richard Donner turned 91 years old on 24 April 2021. Donner is one of the all-time great Hollywood directors who cut his teeth in advertising and television, working on some of the most iconic shows of the 1960s and 1970s (The Twilight Zone, The Man From U.N.C.L.E., Gilligan’s Island). However, his career took a major leap forward with the big screen release of The Omen in 1976, going stratospheric when he directed Superman in 1978. Donner went on to direct a variety of classic movies from the Lethal Weapon franchise to Scrooged and The Goonies. Few directors have been able to have a career with such wonderful variety and he’s a master craftsman, able to turn his hand to any genre from action to drama and comedy. Who else could deliver such a vast collection of titles like Superman: The Movie, The Goonies, Ladyhawke, Lethal Weapon and Scrooged over the course of a 10 year span?
The Omen saw Richard Donner not only break into the directing A-list, but he also delivered one of the all-time great horror movies. After years of working on television, Donner kick-started his career with this classy demonic chiller. Gregory Peck and Lee Remick add authenticity as the middle-aged couple who accidentally adopt the child of Satan. Jerry Goldsmith’s masterful score adds power and Gilbert Taylor’s cinematography gives the film a visual panache which is rarely seen in horror films.
Charlton Heston was originally in the frame for Peck’s role as Robert Thorn, but he ultimately declined the invitation to star – one of the greatest regrets of his career. The film would go on to gross $60 million at the US box office – a 2006 remake (released on 6.6.6) banked $54 million and $119 million globally.
Richard Donner’s Superman broke new cinematic ground. Visually it’s stunning, and that’s before you take into the account the special effects – most of which still hold up today (impressive when you consider that they were making them up as they went along). However, the film’s cinematic palette was spot on, with Geoffrey Unsworth’s cinematography adding a rich texture to Donner’s multi-layered narrative. The crystal gloss of Krypton, the rich, vibrant colours of Smallville and the steeliness of Metropolis give the film visual structure that few films (never mind comic book films) can lay claim to.
Produced by Steven Spielberg, written by Chris Columbus and directed by Richard Donner; it’s no wonder that The Goonies is one of the most beloved films of the 1980s. It’s a movie for kids, that doesn’t talk down to them. Columbus’s script captures the essence of being young, while Donner’s direction nails the sense of adventure that propels the story.
Everything in Donner’s 1985 film works. The casting is spot-on in every, the action rocks, the set-design is gorgeous and Dave Grusin’s score really pops. This is how you make a family movie and it’s a shame that Hollywood appears to have lost the knack for delivering something that appeals to all ages.
Some often refer to The Goonies as a children’s Indiana Jones and while it has a lot in common with Spielberg’s fedora-wearing hero, it’s a lazy of of describing a film that’s so rich with it’s own unique moments. Columbus has injected his script with the same wit and energy that his other Amblin adventure, Gremlins contained and Richard Donner again shows that he’s one of Hollywood’s great directors.
The Lethal Weapon movies are an example of Hollywood getting franchise filmmaking right. Lethal Weapon saw Mel Gibson and Danny Glover paired as mismatched cops Riggs and Murtaugh and we were able to watch their friendship grow and develop across three sequels. Their chemistry is what makes those films so special and why they stand head and shoulders above all imitators.The first Lethal Weapon was written by Shane Black was released in 1987 and sequels followed in 1989, 1992 and 1998. The four films have grossed over $955 million globally.
Donner’s Scrooged is a flawless interpretation of Charles Dickens’ 1843 novella, A Christmas Carol. The great Bill Murray has never been better as the Christmas-hating TV executive, Frank Cross. However, everyone in the cast of Scrooged impresses – Karen Allen, John Forsythe, Bobcat Goldthwait, Carol Kane, Robert Mitchum, Michael J. Pollard all do sterling work.
Richard Donner is a director who knows how to master different genres and get gets the tone just right, ensuring the film has the right amount of humour, heart and snark to keep it entertaining. From the dark humour, to the excellent production design and wonderful Danny Elfman score, Scrooged is a perfect as a Christmas movie can get.
Donner hasn’t directed a film since 2006’s 16 Blocks starring Bruce Willis, but he hopes to make a fifth and final Lethal Weapon movie – read about that here.