Uncovering Curiosities: Donald Cammell’s WHITE OF THE EYE

White Of The Eye is one of the craziest films that I’ve ever had the pleasure to watch. This serial killer thriller from maverick director Donald Cammell is a total mind-bender. It’s great. David Keith and Cathy Moriarty play a couple living an idyllic life, however their happiness is thrown into disarray when a series of murders hits a little too close to home. Meanwhile, flashbacks illustrate how the couple met, showing that their middle-class life isn’t as average it appears on the outside.

Cammell takes a pretty generic plot and rips it apart. White Of The Eye begins like a Michael Mann-ish type thriller (Manhunter springs to mind) but it then begins to take a of of wold turns. It’s clear that Cammell had no interest in making a standard movie – he subverts the genre, making a bizarre art movie under the guise of thriller. Cammell loads his movie with subplots and interesting character, but he never loses focus of the central story.

Visually, the movie is impressive and the score adds an extra layer to proceedings. White Of The Eye has a dream-like quality – it floats along and in many ways it feels like a precursor to Twin Peaks. Cammell’s film is reality based, but there’s something off-miler about it – things are one step removed from reality.

Donald Cammell delivers with White Of The Eye. He takes what could have been a pretty standard thriller and adds a flair of originality. As a director, he plays with expectations, creating a film that feels fresh despite its genre trappings.

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