Movies In Focus hasn’t been covering the ongoing saga of DC Comics movies recently. That’s simply because there hasn’t really been a lot to report. I’m past the point of jumping on every little thing, because life’s too short and chances are 90% of it is BS.
Written by Phillips and Scott Silver, the $55 million film is being described as ‘a gritty character study’ and a ‘cautionary tale’. I think Phoenix has the chops for this – but I’m not sure Phillips has temperament. The Hangover movies and War Dogs are all flash, no substance, so he needs to find hidden depths of darkness to capture the Martin Scorsese vibe they’re apparently going for. Speaking of Scorsese, he’s no longer attached as a producer on the flick.
Phillips’ pic is a different continuity from the current wave of DC movies, so this isn’t the same character that Jared Leto is playing (speaking of Leto, I bet he’s pissed at this) – so don’t expect Ben Affleck to turn up as Batman.
Phoenix spoke to Collider about the film (which stars shooting Sept/Oc) – and he had this to say:
“I take a lot of time and consideration when making decisions and what I’m gonna work on always. So, in some ways, the process, which is obviously reading a script and meeting a filmmaker and then continuing to have meetings and discussions with Todd [Phillips]. I think he’s very impressive and he seems to have a very interesting understanding of this world and what he’s trying to say. And so there is something very appealing about that and working with him on this particular project. It feels unique, it is its own world in some ways, and maybe, mostly, it scares the fucking shit out of me or something. It might as well be the thing that scares you the most.”
“It’s a magnified version of what you deal with as an actor. So, when you get a script, obviously, the writer— usually for me, it’s the writer/director, last several years I’ve worked with a filmmaker that was the writer and director— and they have their expectation, and they’ve imagined things in their head, and they’ve imagined different actors, and suddenly you take it on and so there’s this moment of anxiety of ‘Did I live up to their expectations?’ And at some point you have to just own it and say like, ‘I can’t consider who they might have thought up before or what the movie was for the 6 months ago, this is what it is now and I have to find my way into it.’ And so in some ways it’s a very similar experience, right? But it feels magnified because it’s not just one person’s expectations, but what you’re telling me is that there’s at least a dozen.”
“Three or four years ago, I called my agent and said ‘Why don’t they want to take one of these characters and just make a lower budget film about it, a movie but a character study, and why not take one of the villains?’ And I thought, ‘You can’t do the Joker, because, you know, it’s just you can’t do that character, it’s just been done.’ So I was trying to think of other characters, and he said ‘I’ll set up a general meeting with Warner Bros.’ And I said ‘I’m not gonna go, I can’t go to a general meeting.’ So I completely forgot about it, and so then I heard about this idea, I was like, ‘Oh that’s so exciting, that’s the kind of experience I wanted to have, with a movie based on a comic character.’ I felt like you could get something on screen.”
“I wouldn’t quite classify this as like any genre. I wouldn’t say it’s a superhero movie, or a studio movie or a … It feels unique, and I think more then anything, and probably the most important thing, is Todd seems very passionate about it and very giving, and so that’s exciting. I think, underneath the excitement of these films, and the size of them, there are these incredible characters that are dealing with real life struggles. And sometimes that is uncovered and exposed, and sometimes it isn’t, and so I always felt, like, there were characters in comics that were really interesting and deserve the opportunity to be kind of studied. And so I think that’s what Todd sees appealing about this idea.’